Join us for the opening reception of Unreal Empire: Robert McCann (pictured) and Transparency & Toxicity: Meganne Rosen on Friday, November 8th 5-8pm. On view until December 6th, 2019.
McCann describes his paintings as “elaborate fictional spaces”. He utilizes characters from pop cultures and subcultures to stage human drama. These visual threads spiral outward into the shared universe logic of Marvel blockbusters and Pinterest pin boards, and inward to personal mythologies and autobiographical fragments. The paintings use larger-than-life-characters from the world of wrestling, rock & roll history, or educational film reels to evoke a fuzzy boundary between fantasy and reality. His works incorporate staging of affiliated subjects in fragmented narratives plays on a viewer’s incomplete grasp of sublime subjects like memory, future-forecasting, or knowledge of society at large. The subsequent paintings bring together elements of landscape, portraiture, history painting, and improvisational abstraction.
Through the investigation of and experimentation with different kinds of materials, Rosen’s works express discontent with the current political climate while reflecting on her experiences growing up in the American Midwest. Her art explores entropy, artifice, consumerism, and her place in the lineage of abstraction in contemporary and modern painting and its relationship with installation art. Using found matter, fiber works, oil and acrylic painting, remnant fabrics, and photography, Rosen composes mixed media pieces which are layered in visual dialogues. The work evokes an intimate recollection of garments worn, skins shed, and packaging discarded. Each assemblage or installation is a partnership between the materials she works with and the sociopolitical, cultural context of our times.